{"id":5050,"date":"2026-05-01T13:50:18","date_gmt":"2026-05-01T11:50:18","guid":{"rendered":"https:\/\/artperatothom.com\/?page_id=5050"},"modified":"2026-05-03T08:33:44","modified_gmt":"2026-05-03T06:33:44","slug":"premsa-escrita","status":"publish","type":"page","link":"https:\/\/artperatothom.com\/en\/premsa-escrita\/","title":{"rendered":"Print media"},"content":{"rendered":"
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<\/div>\n\n\n\n

Print media<\/h2>\n\n\n\n

Published articles<\/h3>\n\n\n\n

2024<\/strong><\/p>\n\n\n\n

    \n
  • \u201cGoya o la inutilitat de l\u2019odi\u201d. El m\u00f3n d\u2019ahir<\/em>.<\/li>\n\n\n\n
  • Palau, Maria. \u201cEntrevista a Anna Pou. Dal\u00ed va predir els c\u00edborgs, que anomenava \u00e0ngels mutants\u201d. El Punt Avui<\/em>.<\/li>\n<\/ul>\n\n\n\n

    2023<\/strong><\/p>\n\n\n\n

      \n
    • Garc\u00eda, Carlota. \u201cA Dal\u00ed se l\u2019ha estereotipat com a surrealista i boig, per\u00f2 \u00e9s molt m\u00e9s, ens diu Anna Pou\u201d. La Vanguardia<\/em>.<\/li>\n\n\n\n
    • Cybernetic Dal\u00ed<\/em>. It Brings Art. Pr\u00f2leg de Montse Aguer, Dra. del Centre d\u2019Estudis Dalinians i dels Museus de la Fundaci\u00f3 Gala Salvador Dal\u00ed. Tradu\u00eft al castell\u00e0, angl\u00e8s i alemany.<\/li>\n\n\n\n
    • Pou, Anna i Urbano, Judith. \u201cDal\u00ed y la cibern\u00e9tica\u201d. Llibre d\u2019Actes del Congreso Universitario Internacional sobre la Comunicaci\u00f3n en la profesi\u00f3n y en la Universidad de hoy: Contenidos, Investigaci\u00f3n, Innovaci\u00f3n y Docencia (CUICIID)<\/em>. 4-6 d\u2019octubre de 2023. (Q1)<\/li>\n<\/ul>\n\n\n\n

      2020 <\/strong><\/p>\n\n\n\n

      El Temps de les Arts<\/em>:<\/p>\n\n\n\n

        \n
      • \u201cEl jard\u00ed d\u2019Homer a Pope\u201d (9.11)<\/li>\n\n\n\n
      • \u201cLes convidades al Sant Sopar\u201d (11.11)<\/li>\n\n\n\n
      • \u201cRembrandt i l\u2019antropologia cartesiana\u201d (30.11)<\/li>\n\n\n\n
      • \u201cBarcelona mem\u00f2ria fotogr\u00e0fica a l\u2019IDEAL\u201d (19.1)<\/li>\n\n\n\n
      • \u201cLes cases de l\u2019avinguda Tibidabo\u201d (12.1)<\/li>\n\n\n\n
      • \u201cLa sublimitat en l\u2019art: de Kant a Rothko\u201d (10.1)<\/li>\n\n\n\n
      • \u201cL\u2019homosexualitat en l\u2019art\u201d (8.2)<\/li>\n<\/ul>\n\n\n\n

        \u201cLa representaci\u00f3 art\u00edstica de Maria, mare de D\u00e9u\u201d. Iglesia Viva<\/em>, n\u00fam. 280, 2019, p. 125-130.<\/p>\n\n\n\n

        2019<\/strong><\/p>\n\n\n\n

        El Temps de les Arts<\/em>:<\/p>\n\n\n\n

          \n
        • \u201cEl disseny industrial a Catalunya: 1928-1970\u201d (31.12)<\/li>\n\n\n\n
        • \u201cSch\u00f6nberg: dodecafonia i abstracci\u00f3\u201d (27.12)<\/li>\n\n\n\n
        • \u201cPlat\u00f2 i els artistes\u201d (17.12)<\/li>\n\n\n\n
        • \u201cEl jazz i les arts: de Sonia Delaunay a Hitler\u201d (11.12)<\/li>\n\n\n\n
        • \u201cArt i utopia: l\u2019Europa d\u2019Entreguerres\u201d (17.12)<\/li>\n\n\n\n
        • \u201cTranshumanisme i art: el c\u00edborg\u201d (5.12)<\/li>\n\n\n\n
        • \u201cLa postmodernitat arquitect\u00f2nica a Barcelona\u201d (2.12)<\/li>\n\n\n\n
        • \u201cJosep Llu\u00eds Sert i el GATCPAC a Barcelona\u201d (29.11)<\/li>\n\n\n\n
        • \u201cL\u2019art total i l\u2019habitatge modernista\u201d (27.11)<\/li>\n\n\n\n
        • \u201cLa simbologia del rom\u00e0nic catal\u00e0\u201d (24.11)<\/li>\n\n\n\n
        • \u201cLa iconografia de la Mare de D\u00e9u: de les catacumbes a Bill Viola\u201d (19.11)<\/li>\n\n\n\n
        • \u201cCom es viu en un monestir\u201d (17.11)<\/li>\n\n\n\n
        • \u201cArt i m\u00fasica\u201d (15.11)<\/li>\n\n\n\n
        • \u201cElogi del buit\u201d. Creure i Saber<\/em>, n\u00fam. 9.<\/li>\n\n\n\n
        • \u201cEvoluci\u00f3 iconogr\u00e0fica de la Mare de D\u00e9u\u201d. Revista Poblet<\/em>, n\u00fam. 38.<\/li>\n<\/ul>\n\n\n\n

          2016<\/strong><\/p>\n\n\n\n

            \n
          • Art P\u00fablic<\/em>, Diputaci\u00f3 de Barcelona: \u201cCantata de Susana Solano\u201d i \u201cEls retallables del Parc de la Ciutadella\u201d.<\/li>\n\n\n\n
          • \u201cEspa\u00f1ol para las Artes\u201d, a ECOS de Espa\u00f1a y Latinoam\u00e9rica<\/em>, maig 2012, Editorial Spotlight, Munic (p. 38-41).<\/li>\n<\/ul>\n\n\n\n

            2014<\/strong><\/p>\n\n\n\n

              \n
            • \u201cAmazones i valqu\u00edries\u201d, Universitat d\u2019Estiu de les Dones (UB).<\/li>\n<\/ul>\n\n\n\n

              2013<\/strong><\/p>\n\n\n\n

                \n
              • Adi\u00f3s enemigo<\/em>. Lern Stories. Editorial Compact, Munic.<\/li>\n<\/ul>\n\n\n\n

                2012<\/strong><\/p>\n\n\n\n

                  \n
                • Morir de miedo<\/em>. Lern Stories. Editorial Compact, Munic.<\/li>\n\n\n\n
                • Crisis<\/em>. Lern Stories. Editorial Compact, Munic.<\/li>\n\n\n\n
                • \u201cEl m\u00e8tode transversal\u201d i \u201cL\u2019art contemporani a l\u2019aula d\u2019espanyol\u201d, a Der Fremdsprachliche Unterricht: Spanisch<\/em>, n\u00fam. 36. Editorial Friedrich, Munic (p. 8-13 i 36-40).<\/li>\n\n\n\n
                • Selecci\u00f3 d\u2019imatges per a Sureda, Joan. Hist\u00f2ria de l\u2019Art Universal<\/em>, Editorial Skira.<\/li>\n\n\n\n
                • Hist\u00f2ria de l\u2019art catal\u00e0<\/em> en l\u00ednia, Editorial ARA Llibres i Generalitat de Catalunya.<\/li>\n<\/ul>\n\n\n\n

                  2011<\/strong><\/p>\n\n\n\n

                    \n
                  • Goya. Los Caprichos<\/em>, Editorial La Central, Barcelona.<\/li>\n\n\n\n
                  • Art P\u00fablic<\/em>, Diputaci\u00f3 de Barcelona: \u201cGlobus oculars: Frederic Amat\u201d; \u201cEls jardins d\u2019Hiroshima\u201d; \u201cMonument als castellers\u201d.<\/li>\n<\/ul>\n\n\n\n

                    2009<\/strong><\/p>\n\n\n\n

                      \n
                    • Sureda, Joan i Pou, Anna. Los mundos de Goya<\/em>, Editorial Lunwerg, Barcelona.<\/li>\n\n\n\n
                    • VVAA. Goya e Italia<\/em>, cat\u00e0leg de l\u2019exposici\u00f3. Museu de Saragossa, maig-agost 2008. Govern d\u2019Arag\u00f3, Diputaci\u00f3 de Saragossa.<\/li>\n\n\n\n
                    • Grans Genis de l\u2019Art Catal\u00e0<\/em>, Editorial Ciro, Barcelona. Monogr\u00e0fics col\u00b7leccionables publicats a La Vanguardia<\/em>: Eliseu Meifr\u00e8n, Pablo Picasso, Joan Mir\u00f3, Josep Amat.<\/li>\n<\/ul>\n\n\n\n

                      2007<\/strong><\/p>\n\n\n\n

                        \n
                      • C\u00f3dice Atl\u00e1ntico de Leonardo da Vinci<\/em>, Editorial Folio, Barcelona. Traducci\u00f3 de 3 volums (de 20) de l\u2019itali\u00e0 al castell\u00e0.<\/li>\n\n\n\n
                      • Pablo Picasso<\/em>, Editorial Ciro, Barcelona.<\/li>\n<\/ul>\n\n\n\n

                        2006<\/strong><\/p>\n\n\n\n

                          \n
                        • Historia del arte contempor\u00e1neo<\/em>, Editorial Folio, Barcelona. Actualitzaci\u00f3 de continguts.<\/li>\n\n\n\n
                        • Col\u00b7leccionables publicats a El Mundo<\/em>. Editorial Ciro, Barcelona: Manolo Vald\u00e9s, Lucio Mu\u00f1oz.<\/li>\n\n\n\n
                        • \u201cEquipo Cr\u00f3nica o la introducci\u00f3n del pop art en Espa\u00f1a\u201d. Hispanorama<\/em>, n\u00fam. 114, N\u00fcrnberg, p. 57.<\/li>\n<\/ul>\n\n\n\n

                          2005<\/strong><\/p>\n\n\n\n

                            \n
                          • Museos del Mundo<\/em>, Planeta Agostini, Barcelona. 25 volums. Dir.: Lourdes Cirlot. La Vanguardia<\/em>.<\/li>\n<\/ul>\n\n\n\n

                            2003<\/strong><\/p>\n\n\n\n

                              \n
                            • \u201cLa Fundaci\u00f3 Vilacasas\u201d. Selecta Barcelona<\/em>, n\u00fam. 13, p. 21-24.<\/li>\n\n\n\n
                            •  \u201cXarri\u00e9 Anticuario: una tradici\u00f3n familiar\u201d. Selecta Barcelona<\/em>, n\u00fam. 24, p. 14.<\/li>\n<\/ul>\n\n\n\n

                              2002<\/strong><\/p>\n\n\n\n

                                \n
                              • \u201cJujol a Sant Joan Desp\u00ed\u201d. Descobrir Catalunya<\/em>, n\u00fam. 50, p. 30-31.<\/li>\n\n\n\n
                              •  \u201cPau intramurs: Sta. Maria de Vallbona\u201d. Descobrir Catalunya<\/em>, n\u00fam. 48, p. 84-90.<\/li>\n<\/ul>\n\n\n\n

                                2001<\/strong><\/p>\n\n\n\n

                                  \n
                                • \u201cLa Fundaci\u00f3 Francisco Godia\u201d. Selecta Barcelona<\/em>, n\u00fam. 10, p. 45-49.<\/li>\n\n\n\n
                                •  \u201cParaules-butxaca\u201d. Inventar Sistemes<\/em>, Col\u00b7legi d\u2019Arquitectes de Catalunya, n\u00fam. 3, p. 17-19.<\/li>\n<\/ul>\n\n\n\n

                                  1999<\/strong><\/p>\n\n\n\n

                                    \n
                                  • \u201cParaules-butxaca: Xavier Claramunt i Dom\u00e8nech\u201d. Revista d\u2019Igualada<\/em>, n\u00fam. 3, p. 21-26.<\/li>\n<\/ul>\n\n\n\n

                                    1996<\/strong><\/p>\n\n\n\n

                                      \n
                                    • \u201cCH CL\u201d. Arte y Joya<\/em>, Madrid, p. 23-26.<\/li>\n\n\n\n
                                    • \u201cXavier Claramunt i les seves joies\u201d. On Dise\u00f1o<\/em>, n\u00fam. 211, Barcelona, p. 5-7.<\/li>\n<\/ul>","protected":false},"excerpt":{"rendered":"

                                      Premsa escrita Articles publicats 2024 2023 2020  El Temps de les Arts: \u201cLa representaci\u00f3 art\u00edstica de Maria, mare de D\u00e9u\u201d. Iglesia Viva, n\u00fam. 280, 2019, p. 125-130. 2019 El Temps de les Arts: 2016 2014 2013 2012 2011 2009 2007 2006<\/p>","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":56,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-5050","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/artperatothom.com\/en\/wp-json\/wp\/v2\/pages\/5050","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artperatothom.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/artperatothom.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/artperatothom.com\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/artperatothom.com\/en\/wp-json\/wp\/v2\/comments?post=5050"}],"version-history":[{"count":10,"href":"https:\/\/artperatothom.com\/en\/wp-json\/wp\/v2\/pages\/5050\/revisions"}],"predecessor-version":[{"id":5648,"href":"https:\/\/artperatothom.com\/en\/wp-json\/wp\/v2\/pages\/5050\/revisions\/5648"}],"wp:attachment":[{"href":"https:\/\/artperatothom.com\/en\/wp-json\/wp\/v2\/media?parent=5050"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artperatothom.com\/en\/wp-json\/wp\/v2\/categories?post=5050"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artperatothom.com\/en\/wp-json\/wp\/v2\/tags?post=5050"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}